I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.
A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.
For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.
See his broad range of training and creative services, available NOW. Take advantage of them and ensure an unfair advantage over your competitors…
Friday, 13 December 2013
I arrived early enough to be present as they set up for the evening, which meant I was able to watch the dancers practising and this gave me a chance to see whether I might be able to improve upon the shots I took at the first event back in June. At that time I was using the Canon EOS 5D MkII and the highest ISO I used with confidence then was 2000 ISO and I struggled very often to shoot faster than 1/30th of a second. Adam Woolfitt very generously allowed me to borrow his MkIII for the evening, which entailed a full day accustoming myself to the different way of working. I learned in that time that the differences between the two versions were substantial. My testing suggested I may well find it viable at around 6400 ISO and this was confirmed very soon. As the evening progressed I pushed things further.
One other difference on this occasion was that I set up my iPad on the bar and plugged in CamRanger, which gave me a good chance to review shots I had taken as well as provide others the opportunity to look at the shots I took within a few seconds of my taking them. Many found this intriguing and it allowed me to become involved in conversations about this 'magic'!
I felt very welcome as many of those in the restaurant knew who I was and said how much they liked the shots I had taken on my last visit, however their names escaped me, but several of the faces I did remember.
Zeremariam Fre spoke to introduce the evening to the guests and explain a bit about the work being done by PENHA and how it differed in its approach and explained that the audience would also hear from Dr.Tekeste Ghebray the former Executive Secretary / head of the Intergovernmental Authority for Development (IGAD) about his involvement, and also how later Dr Vanessa Champion would relate the story of her recent visit to Uganda with some of the photos she had taken when amongst the Pastorialists and where she saw first hand what PENHA were not only advocating, but putting into practice.
Zere and his wife also spoke of what was happening during the evening, of the Dance Group, the Coffee Ceremony the food on offer and the various hand-crafted goods that were on display and for sale, all in aid of future work by PENHA. A point that was stressed was how in this group of countries were many whose differences were in conflict, yet were brought together by this organisation.
The Ethiopian Dan-Kira Dance Group were very energetic and despite the difficulties of operating at such low light levels and in a confined space, I did manage to capture some of the infectious spirit of their display. Many of the audience were tempted on the dance floor amidst great applause, and the dancers from the audience were not all in the first bloom of youth! The rhythm and volume were infectious and irresistable!
One group of girls from an NHS HR company were present because one of their number was going out with a member of the dance group, and they asked me to capture them on camera, and even insisted they take a shot of me with one of them; modesty prevents me from showing this shot and also I had 181 acceptable shots and so one had to go and that was the victim! It exists on the Cutting room floor, and anyway I was not told her name…
Vanessa introduced me to a very interesting Architect who listened carefully to my concerns related to the Chaulington project and gave me a very interesting idea to try to solve issues that surround this local plan and how I might create a competition to arrive at a solution. Anyone who is interested in what is an excellent idea for the development for Vauxhall's current Vehicle Storage Area with almost no local resistance, but needs to resolve numerous external issues first, enter "Chaulington" into a search engine. I was buoyed up by this architect's answer, so much so that I have passed his comment back to my contact at Vauxhall; I must now get his name from Vanessa!