I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

See his broad range of training and creative services, available NOW. Take advantage of them and ensure an unfair advantage over your competitors…

View any Gallery by Clicking the relevant TEXT Headline

Monday, 17 October 2011

Other Work Continues on Site

Although the entire site was enormously interested in watching the crane being dismantled, because of the scale of the clearance, preparation and disruption that the operation entailed, I was very aware that many of the other trades had still got to work through it all. That included me, in that I was aware that several areas beyond the 10 metre exclusion zone directly beneath the crane were progressing, so once I had setup one camera to carry out the taking of shots every ten seconds so that I could create a time lapse movie, I then continued my general coverage of the work as well as obtaining full quality images of the dismantling, and this freedom of movement allowed me to capture the action from a much better lighting standpoint, especially as the fixed viewpoint for overall shooting was for a large part of the morning looking directly into the sun – not exactly conducive to high quality imaging. Another point was that I could also choose the focal lengths of lenses for the still shots as well as the viewpoint.

The much smaller gallery shows some of the other work either being done or well under way whilst the main program was unfolding. In some of the apartments the kitchen furniture was being installed, and the newly laid tiles were now covered by temporary sheeting of tough paper.

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