I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.
A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.
For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.
See his broad range of training and creative services, available NOW. Take advantage of them and ensure an unfair advantage over your competitors…
Thursday, 19 December 2013
We had to queue for a short while outside, which gave us a chance to catch up on news, before finding seats from which to get a good view of the girls. I had hoped I might be able to photograph the proceedings, and simply took a handful of shots before the service started, but the first announcement that was made was no mobile electronic devices or cameras during the service, so I confined myself to taking shots afterwards to add to those I managed beforehand.
As we came out into the vestibule I took shots of the beautiful statues and the magnificent organ, whilst waiting for the girls to ready themselves for the return, and it was now no longer a drizzle outside, but a downpour! So reaching the cars in the car park was very welcome. The service was well-organise, beautifully sung and the harp playing was excellent, my only disappointment was that there had not been a raised platform for this instrument such that the audience could have seen the harpist at work. One piece she played managed to sound like a plucked Lute or Mandolin, which I found very unusual, and in conversation I learned I was not alone in this thought.