I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

See his broad range of training and creative services, available NOW. Take advantage of them and ensure an unfair advantage over your competitors…

View any Gallery by Clicking the relevant TEXT Headline

Friday, 7 December 2018

December Wintry Sun at Brogborough Lake

There was a slight breeze in Marston Moretaine, but that was no definite indication it would be equally windy at Brogborough Lake, but no wind here definitely meant No Wind at the lake, so it was worth a trip to see whether any windsurfers had turned up.
I packed both cameras and set off in hope, and was rewarded; as I turned into the entrance, I spotted two sails out on the lake, though there were not too many vehicles parked, but with the anemometer spinning the omens were good, but, until I was sure, I did not tempt fate by unloading the boot so locked the car and wandered to see who was around and Sam was togged up, so I chatted to another windsurfer and it seemed I was in luck, so returned to the car and started to set up the tripod. On this occasion I was going to use the 5D MkIII rather than the 7D MKII body, and the Sigma 150-600mm lens to see how I fared with this combination as at least I then had the full frame even though not the fast burst rate.
Sam decided he would risk a run with the hydrofoil despite the gustiness of the wind, so initially I concentrated on that, but it was apparent the wind was too gusty and although he did get it up, it was not sustained, so he came back out with a conventional board, so I then took shot of the others on the lake, the wind dropped after a short spell, and came came back in for another attempt and on this occasion at least for a short spell he was airborne, so I managed a few shots, before he returned to swap again to a conventional board.
I was also lucky as I was treated to a couple of jumps, even though I gathered the wind direction was less than ideal, I also managed some shots of three sailors in a group which is always handy.
I stayed as long as I could, as standing at the water’s edge in a high cold wind the windchill soon began to get though my light clothes as I held onto a cold camera and lens, with only minimal movement unlike those on the water who by expending much more energy were able to keep reasonably warm.
I did notice that using the full frame body the distant images seem small, but upon examination were just fine, but when close to, it was noticeably easier to frame, knowing that the quality was there. In the past I was always more concerned with the burst rate, but in the situation here this was far less of an issue compared to trying to capture birds and insects in flight, where the speed of the cropped frame sensor body was a definite benefit. I shall use this body slightly more often in the future.

No comments:

Post a Comment