I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

See his broad range of training and creative services, available NOW. Take advantage of them and ensure an unfair advantage over your competitors…

View any Gallery by Clicking the relevant TEXT Headline

Tuesday, 21 January 2020

Arrival at Turvey

Today was clear and bright, and I did have an initial destination in mind, but Road diversions put paid to that, and I found myself on a diversionary route, and this meant I was losing daylight, so I ended up heading for Turvey, where I found a different subject of interest; architecture. On this occasion, not avant-garde, but historic. But a look at my route taken before arriving there, involved several ‘about turns’ because every time a convenient turning appeared oncoming traffic would have meant holding up those motorists behind me, so I drove on! This added considerably to the mileage I encountered, as simply stopping was not a viable option due to the available width. However, upon my return I did now know where I was able to turn around, and find a suitable spot to park up.
On this occasion, the choice of lens was straightforward, so I was back to using my 5D MkIII with the 24-70mm, and the subjects I chose were all well lit except for one. Also, since I am somewhat pedantic in relation to verticals being vertical, I was invariably shooting with spare space enough to make such adjustments on the Mac when in post-production in Lightroom. I only took enough images to create a single page gallery, but it was therapeutic, and satisfying, especially as it was the first occasion for several weeks that I was not shooting with my mirrorless EOS R.

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