I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

See his broad range of training and creative services, available NOW. Take advantage of them and ensure an unfair advantage over your competitors…

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Wednesday, 8 March 2017

Marston Moretaine Crocuses and Daffodils

Tuesday heralded the arrival of sunshine and walking to post a letter I caught sight of crocuses and a couple of daffodils on the triangle of grass by the flower box, and so on my return I grabbed a camera and two lenses to take shots to add to my collection of images for use as greetings cards, where often I create space within the composition to carry the relevant message – seasonally relevant images are always handy, and those composed with space for text is always useful, and this group was no exception, some also lend themselves to squares where any message is carried above or below. The challenge was to keep low and close-up, so lying down was essential since it had rained the night before, and I used two lenses: the 300mm prime and the 24-70mm both with and without using its macro facility.

They were taken before the visit to Peter Carr, but those took precedence purely because in bringing them into Lightroom meant they could be dealt with straightway, and I could return to these later, which is what I have now done. If it helps others with ideas then the gallery will have served a purpose.

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