I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

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Monday, 12 November 2018

Remembrance Service – Aylesbury Concert Band - St. Mary's Church

I drove to Quainton to pick up my daughter to collect her and the far less weighty Tenor Sax and head for the car park in Aylesbury Town Centre where she would be playing with The Aylesbury Concert Band to celebrate the Mayor's Centenary Remembrance Service in Commemoration and Thanks for those who gave their lives in service of their country in The Great War from 1914 to 1918.
I was joining her for the Rehearsal, and I soon learned I was going to be some considerable distance from the Band, so began shooting early whilst I was still able to wander quietly around to be able to obtain less obstructed views of the Band Members, I also realised that with the low level of lighting I was going to find it hard to get the quality of shots I wanted without something to give me extra support, so I soon headed back to the car to collect my monopod as a tripod would not be feasible.
It was definitely a good move, because I found my self shooting at speeds of 1/20th of a second if I wanted to keep a low ISO and the noise level to a minimum, which meant I was often over-shooting to ensure the success rate was good. The Conductor, Rob Wicks's, baton was certainly going to often be a blur even when I had managed to hold my camera and lens steady! Almost all of the shots in the Concert proper were taken at full aperture, and I still often had to resort to setting an ISO speed as high as 6400˚. During rehearsal, I should have pushed the speed higher as I was in the low light in the left aisle whilst Alison Langer was practising her piece, and I really needed the extra speed to capture the pianist's hands at the keyboard.
The Concert was full of Music that was familiar and often rousing, and there is always a great chance of me singing with gusto, especially when the audience can cover any mistakes I might make in my exuberance. The congregation were amused by the presiding Minister's request we sing Jerusalem through a second time to allow enough time for the Collection! I was more than happy to oblige.
Altogether another enjoyable evening, the only slight sadness was that the length of the event meant that on my return I spent very little time with my young grandchildren before they went up to bed.

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