Welcome

I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

See his broad range of training and creative services, available NOW. Take advantage of them and ensure an unfair advantage over your competitors…


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Friday 3 May 2019

Spare Moments at Stockwood Gardens, before Eye Test Appointment

I had around an hour free before my appointment at the Opticians in Luton, so decided to utilise the time in The Stockwood Discovery Centre Gardens trying to really get to fully understand how to get the best out of the mirrorless full-frame EOS R camera; I am determined that I reach the stage where every setting that I need to make is second nature, as currently I am a long way off that state; I spend an inordinate time menu-diving.
The ability to easily and speedily place the focus point into position, and subsequently re-position equally effectively is essential. My conclusion favours using the compass quadrant tilt switch, which though slower than using the touch screen with a spare finger, is precise, whereas the moving finger over the screen, often involves collecting it from the outer regions of the screen, before being able to place it in position, meanwhile the shot is lost!
Feeling completely confident in altering settings on the fly is very much a Work in Progress, and is not made any easier by the lack of space in my ageing brain! However, this is a journey I am determined to navigate, because the improved quality the camera provides, is worth the effort. The single page gallery here gives an indication of the quality that is possible from its clean 30MB files. Most images were captured at ISO 500, at 1/200th sec. at f/7.1 - f/8 and the variations to arrive at the image quality displayed, was around a half an f-stop with the prevailing flat lighting.
From my ongoing observations the extra pixel count versus the EOS 5D MkIII, means I am getting more than either a whole extra stop of light or higher shutter speed benefit. How I take this benefit is dependent upon what I am shooting; often when taking wildlife I need speed, with landscapes it is depth of field, so I can gain more foreground, for sports, dropping the ISO speed gives me greater detail, so images can be larger. I can also afford to take the safe shots first then explore the boundaries with riskier slower speeds say for Sports for added drama, but to do this I still have to reach the stage where everything becomes instinct+give, and I am not yet there!

1 comment:

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