Welcome

I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

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Showing posts with label Canon EOS R body. Show all posts
Showing posts with label Canon EOS R body. Show all posts

Friday, 8 November 2019

Harrold-Odell Lake– Alive with Swans

Although it was a dull day, I decided to visit the park at Harold-Odell, to see what birds were on the lakes. It was certainly a good choice of venue, as there was a plethora of birds; the largest number of swans on a lake I had seen in a while, a Cygnet and numerous gulls. I spotted a Shoveller, some Pochard, male and female, Mallard ducks in a couple of family groups. I had my sturdy Benbo tripod, and had put the 2x Converter on the 60-600mm Sigma Sports on the EOS  R body. All the birds were congregated at this near end of the right hand lake, but if they were close to the shore, it was by the far bank. As I approached the near bank there was a noisy exodus of half a dozen gulls that spooked several of the ducks, which was a shame, but a man dressed in black and moving a large tripod with a long lens might just be considered a threat, I suppose.
It was definitely a good move to have the Converter in place because the only large birds were the swans, and even when at a distance they were never an issue, and they are definitely very capable of taking care of a feeble human! Obviously, it would have been very nice to have had some sunshine, and even better had my subjects come much closer, but it was good to come away from a computer screen and be outside taking pictures again, and the swans gave me some nice shots, and it was good to see the Shoveller and Pochard.
I feel revitalised once more, since I had not had a chance to get any shots of fireworks this time around, though there is a weekend coming along, so there is a possible chance still. I also wonder when there might be some wind and sun that beckons the windsurfers; I should not be greedy, but I was greeted by an early call from an erstwhile one-off client who is wanting some building progress shots, which came as a very welcome surprise, so we are meeting next week, so as the man who as he jumped from the Empire State Building was heard to say as he was passing the twelfth floor: “I’m not dead yet!”

Monday, 28 October 2019

Brogborough Lake - Scenic Therapy

Most of the last week has been very dull, and often raining or threatening to do so, but for most of the time it proved no real disadvantage as it gave me the opportunity to not suffer any frustration over being held indoors, since the time was gainfully used by my reading the Chapters of Martin Evening’s next book in the ‘Photoshop for Photographers’ series for which I have had the privilege of helping the Author with tech-editing since he wrote his very first edition.
There has been a very short lead time on this occasion, since Martin has been very busy on other projects, so started into the revisions well into the allotted time to bring it up to date, and Adobe have not been resting on their laurels, as they have been adding several new features, adding to the burden of revision.
As the sun finally shone, and I had caught up, I needed to get my fix of taking photos, so that I keep my eyes active and my shutter finger exercised adding to the experience of working with my EOS R. There was little time left in the day, so my choice of venue was the nearby lake at Brogborough, and with no wind, I knew there was little need of a long lens, so I chose the 90mm Tamron Macro f/2.8, and the Canon 85mm f/1.4, and was able to use both to advantage in the short time before the sunset over the far hills.
Soon after arriving I heard the unmistakable sound of a hang glider’s engine, quite close by, but almost immediately it flew lower and remained hidden for the next fifteen minutes, before reappearing as a mere speck in the distance. The only chance by then of capturing it was with my 60-600mm Tamron with its 2x Converter! And certainly not handheld, as were these images. The light upon my car as I returned tempted me to grab a shot of it, before leaving for home, after my welcome breather.

Saturday, 16 February 2019

Marsworth Reservoir with Sigma 60-600 Sports on EOS R Body

The title should really include another important piece of information — I also added the Sigma 1.4 Converter, and was amazed by how well this combination worked. So that readers of this piece can fully understand just how well this combo performed I have taken a shot from the same standpoint at the wide angle end of the lens’ range to give an indication of where I was when taking the subsequent pictures. Frame 3 shows the exact view from my position when the lens was at its shortest focal length, albeit still with the 1.4 Converter still attached! So you can see how impressive the images are; immediately below the distant view at frame 9, is an enlargement from the previous picture, showing just how much detail there is, and I was amazed! So, all praise to Canon and Sigma, for the sensor in the EOS R, and Sigma for both this excellent range telephoto and their 1.4 Extender — it makes me wonder how the 2x Converter would fare on this body? Perhaps Sigma might loan me a 2x to check it out.
At this point I shall digress; I drove down to Sigma to borrow this lens due to a really frustrating situation that was brought about by the carriers, UPS who managed for no less than the second occasion to fail to read the postcode on my package beyond the first three characters, and dropped my package into the Amazon Depot which due to Amazon’s high-handed arrogance, only acknowledges the Entire Delivery, and any package not due to Amazon, simply place it in a cage for when the carrier next collects, and does not reflect this in the tracking, so the tracking at this point reads ‘Delivered’. It is only subsequently revived once the original Courier has returned it to their Depot. This is a gross failure on Amazon and UPS’ Duty of Care, and should be utterly condemned. It completely undermines the Tracking System and since the fact that this has occurred twice to me personally, it must be only the tip of an Iceberg, and has but one result that packages lost completely are untraceable, and claims on Insurance simply compounds the losses, and increases everyone’s prices for Deliveries. This must be tackled at Government level. If anyone reading this piece has had similar issues of packages being delivered to Amazon and suffered delivery delays please tackle your MP, so we can prevent this from escalating.
Back to the narrative; I had been concerned that perhaps the Sigma Sports 60-600mm  lens might fail to focus when on this mirrorless body, but though on occasion I did have to  occasionally twist the focus ring to initiate autofocus,  I believe I may be able to use the Custom Presets on the lens to obviate that. I shall be enquiring of Sigma on that after the weekend. 
One observation I have made in relation to the EOS R is that it is rather easy to have wide range subject exposures suffer from irretrievable highlights, but whether this is due to Adobe not yet having an EOS R-specific profile. I am relying currently on a previous, but seemingly otherwise workable profile. If I have subjects with bright whites, I am taking a similar approach to how I handled transparencies in the days of film, and choosing to under-expose in such circumstances. The dynamic range of sunlit swans is such an example, it is definitely better to under-expose and then lift the shadows ‘in Post’.
I wonder how long before My lens arrives having gone ‘Up the Suwannee’ — the shoe on the lens though a little longer than some is not as long as the separate full length one which I had for the earlier 150-600mm lens, as I was loathe to put mine on this loan lens, so I await the return of the one due to arrive when UPS get it back onto its route to me.
The 60-600mm lens may be heavy, but using one lens and one body for sports and wildlife is a boon, and with the marginally lighter mirrorless full-frame body giving such image quality has certainly been worthwhile, but there is a learning curve, and  I still have a way to go to reach the ease of use to which I had become accustomed with the 5D MkIII and 7D MkII…