Welcome

I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

See his broad range of training and creative services, available NOW. Take advantage of them and ensure an unfair advantage over your competitors…


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Showing posts with label Charles Settrington. Show all posts
Showing posts with label Charles Settrington. Show all posts

Monday, 8 July 2019

Goodwood Festival of Speed 2019

I have been visiting Goodwood in Sussex to enjoy the Festival of Speed for several years now, and the event has grown larger with the years, but this year it seems larger than ever, and has changed even more, driven by its popularity. The two car and bike events attract more than just those motorsports enthusiasts, but have been wonderfully conceived as family events, and most noticeably the atmosphere is relaxed with few restrictions. It would appear that over the years this area has been blessed by an abundance of good weather compared to Silverstone and Brands Hatch, two motor race venues I have frequented over the years when serving as a Marshal with the BRSCC — as Assistant Chief Pits for nearly thirty years.

It has been very much a family event for me, though when the children were young I tended to take along Clients from my days as Sales Manager of a Retouching Lab, which is the way I first met the Duke of Richmond and Gordon as Charles Settrington, a top class and highly creative Advertising photographer, as the Retouchers I worked with, executed the retouching he briefed for his clients such as Osborne and Little. The Installations fronting Goodwood House are by Gerry Judah, a longtime colleague of his from those photography days.

I think this Saturday was the hottest of all my visits here, and what has been the hallmark of every event here has been the noticeably relaxed atmosphere that prevails. In the most crowded places, the goodwill of all present pervades. One year at a previous Festival of Speed was how when I spotted a stationary truck with a viewing possibility stationed strategically with a view from the Moulcomb corner to the Flint Wall, my daughter cheekily asked whether I might be allowed to take photos from there and, as he answered, he took my camera bag from my shoulder and told me where to climb aboard, and said he’d hand it up to me! This has been an ever-present willingness to help visitors enjoy the events to the utmost. Another such occasion, I commented on a printed notice on a vehicle high up the hill, saying, I paraphrase: “If you need anything, just ask and I will do my utmost to help — just ask”. I got chatting to the driver and in the course of conversation I mentioned that I had stayed at the House in one of the circular towers, and mentioned it’s decor, and he replied, telling me he it was called The Toile room, and that Lady March had chosen the curtains and needed matching wallpaper, but none existed, so the same fabric was duly mounted on metre-wide backing so the match was made! And he it was was who had the task to hang it! He offered to drive me even higher up the hill for the view, where we watched aircraft leaving from above! He later drove me back down to the House, shortening my return to the car.
The single word epitomising a visit to Goodwood is ‘Welcoming’ — I cannot recommend strongly enough just how relaxed anyone can feel in the vastness of this place. I took fewer photographs than ever, yet the variety is still present. Thank you to everyone who make these such enjoyable days. Let the pictures tell their own story of what I saw.
Sent from my iPad

Tuesday, 21 September 2010

Goodwood Revival Meeting 2010

Once again I received tickets to visit the annual Revival Meeting at Goodwood, and this time Toby Savage joined me for the visit on the Saturday. His outfit, all white topped with a pith helmet was of considerable interest throughout our day!

The weather according to the forecasters was for a ten percent chance of a shower and that the day would start bright with cloud cover increasing from around midday and slowly clouding over completely in the afternoon. It turned out far better than that and was very warm indeed with some exciting racing.

This meeting was a great opportunity to give the Canon 7D and 300mm prime lens a chance to shine. it succeeded beyond my expectations, the shutter was very responsive both initially and in the subsequent burst, so fast that it was hard to consistently only fire a single frame, and the sharpness of the 300mm f/4 was impressive.

It was difficult to accurately segment the shots into neat compartments so I have simply divided it into four sets to keep things in manageable chunks.

Toby and I had two surprising meetings, one was when during a friendly chat with two men on the bank before Madgwick corner, we found we were talking to an Art Director who had used Charles Settrington when he was a photographer – Charles  is the owner of Goodwood, now Lord March. I come to be invited to Goodwood due to my connections with Lord March from those days.

A short while later I made a remark about the quality of the artwork above a crepes vehicle, and then we sat down to eat a burger and chips. Two men joined us at our table and it only turns out that one was the designer of that very artwork and owner of the vehicle, which it turned out Toby knew from the vehicle's earlier life as an ice cream van, and both men were owners of several of the concession vehicles and both were Leicester men like Toby! What a small world!

Once again I gave Lightroom a chance to help me out with the near darkness of the 'Earl's Court Motor Show' – at 2500 ISO!

Whilst waiting to extricate ourselves from the car park we were further treated to another air display by a pair of Spitfires, and it worked – it did lessen our frustration at not moving!
Set 1
Set 2
Set 3
Set 4