Welcome

I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

See his broad range of training and creative services, available NOW. Take advantage of them and ensure an unfair advantage over your competitors…


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Showing posts with label Conductor. Show all posts
Showing posts with label Conductor. Show all posts

Thursday, 30 August 2018

Aylesbury Parklife Summer Concert

  
 
          Aylesbury Concert Band brave the drizzle, and are rewarded with an excellent concert that pleased the crowd that attended regardless of the conditions, and a wider audience on this occasion, as it was also streamed via Facebook. Headlining were the now married couple who have performed with the Band in previous years; Alison Langer and Lawrence Thackeray. 
          The Star for me, having earlier heard her perform at the rehearsal, was the highly accomplished fifteen year old on the violin playing the Tsardas by Monti, Shona Beacham. As can be seen from my picture of her whilst she played at rehearsal that I put in the headline image for that gallery, the two people in the background are obviously listening intently to her performance, in admiration.
          The violin is a notoriously difficult instrument to play, and she justly received a rapturous applause,  but to play that piece with such panâche, and at so a young an age is stunning. Keep an eye out for that name in the future. 
          I was really pleased that the rain which had drizzled throughout the entire rehearsal, began to stop soon after the concert itself started. The programme was packed with numerous pieces both enjoyable and familiar, which is always a challenge when my feet want to dance, and I am trying to hold my camera and often longish lens steady. The light level even before the light dimmed towards evening, meant that when the concert proper began, I was already shooting at ISO 2000° and at f/4! When the lights were really low I was at ISO 12,800° which is what I describe as ‘Unavailable Light Photography’ which is challenging when shooting handheld with hands as unsteady as mine! The Hit rate falls significantly, hence why I favour 32GB cards, and that can become an embarrassment when I do not have a spare empty card in my pocket. 
          In the Interval, I moved Stage left and took shots of the Drummers, which when their leader took to the grass to dance with another of their number, that was seriously tough to keep sharp!!
          I must apologise to anyone in the Band who has waited for these images to arrive on the blog, but life can sometimes supervene as I do have to do other mundane tasks, such as in this case, take my car for its MOT and wait four hours in the car showroom till it is complete, then shop for the mundanities of life such as food that was delayed due to filling the time taking the photos in the first place!
          However, here the images are, and I hope they give others as much pleasure as I enjoyed whilst listening and watching the show.

Monday, 11 May 2015

Holy Trinity, Aylesbury Concert


Late Wednesday evening I receive a text that a Concert is scheduled for the Saturday at the Holy Trinity Church, Walton Street Aylesbury that my daughter Lizzy has just heard about, and was I interested. Under most circumstances I would always try to attend anyway, but the stress that has attended my forthcoming move from Caddington, the marital home to my own home in Marston Moretaine was even more appealing to allow the music to wash over me and restore calm.

I set my phone alarm to give me ample time to spruce myself up and gather my camera gear together for the venue. I had never been to this church, so I had no idea of the layout or lighting, though Lizzy had said it was not overly bright. Fortunately there is a car park nearby, though only as the crow flies, but for mere mortals it involves first walking away from the church to reach the crossing over the dual carriageway, then the same distance and more to reach the venue. That would have been a serious trek for Lizzy with her baritone saxophone, its case and music stand, for the preliminary rehearsal and concert the return trip would be even harder.
I parked the car and reaching the road I took a quick shot of building opposite, intending then to take a shot of the church, but then I get a call from a long term friend, whom I had left a message of the impending move, I chatted all the way to the church, then had to end the call as I got my ticket and promptly having explained, in the course of paying for it managed to completely forget I had been still connected, so once settled inside resumed the call and apologised and would have a longer call later. Thus I completely forgot to take a shot of the church!
Inside I tried to locate where Lizzy would be seated and found the least obstructed view of her position which was to the right of centre on the end. It was not as packed as some of the Aylesbury Community Band’s audiences, but they were enthusiastic and I was able to exercise my feet to the beat without affecting my handholding of the two cameras with the 70-200mm for the individual musicians and 24-105mm for the more inclusive shots.
After the interval, I moved to the right hand side wall for a change of viewpoint as well as a shift to my 100-400mm lens to get individual musicians on the far left and profiles of Rob Wicks, the Conductor. The music in some instances was familiar to me, but not all, though I would have had to have had a heart of stone not to be nticed into humming my way through the final piece – the Dambusters March, with this being the 70th Anniversary of VE Day.
The Gallery is less arranged due to time constraints, but hopefully captures at least some of the musicians I could see without too much lost to the plethora of very effective LED lamps over the scores; for those who did not feature, I apologise for my and the pillars’ positions.