Welcome

I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

See his broad range of training and creative services, available NOW. Take advantage of them and ensure an unfair advantage over your competitors…


View any Gallery by Clicking the relevant TEXT Headline

Showing posts with label Mandarin Duck. Show all posts
Showing posts with label Mandarin Duck. Show all posts

Wednesday, 11 March 2020

Lemsford Springs Visit

In what now seems ‘Another Life’ I used to regularly visit a Colour Lab in Clerkenwell, that outlived the one for which I had been their Sales Manager, Longacre Colour Labs; that Lab was Metro and their Print Manager at the time was Grant Jenkins. After I left and set up on my own as SOLUTIONS photographic, I began creating 35mm slides initially on a Slide Writer, and then began getting scans done by my erstwhile Retouchers, The Colour Company who had by then also broken away from Longacre.
I started to gain experience of electronic retouching myself, and so I was getting my customers’ transparencies scanned by the Colour Company, I would then often create montages on my Mac, and do any retouching back out at my home in Slip End, and later Caddington, both were in Bedfordshire, and since the files were to be output to transparency, I would deliver the exposed 35mm films to Grant and he would bring them into Metro the following day where they were  processed, and either picked up by myself or someone from Colour Company, or in some instances my clients.
There was a mix of 35mm slides and 10x8 and 11x14 transparencies, but the 35mm slides soon gave way to retouching 5x4, 10x8 and 11x14, and ultimately all the work was being supplied as files. But the friends and business relationships endure to this day.
Yesterday, I visited the home of Grant and his wife Clare and daughter, Elizabeth and it was good to catch up, and in the latter half of the afternoon Grant and I visited nearby Lemsford Springs Nature Reserve, and the gallery of images which I took are linked from the title of this narrative. The keys to this Reserve were obtained from a nearby private house, and arriving at the first hide, we met a charming and friendly couple both of whom were also photographers, and we stayed awhile learning of what they had already seen from this vantage point. The man had a longer zoom on than I was using on this occasion, and he showed me some excellent shots he had got of a pair of Mandarin Ducks. I managed to also get a few shots of the beautiful bird, but mine were way smaller, because on this occasion his lens had a far greater throw.
We also visited another hide, and later found we were unable to complete the entire route due to the height of the water on this occasion due to all the rain we have had of late. It was a warm afternoon despite the wind, which by the river here we were well shielded. It was good to meet up with Grant and his family after a long gap. It was a shame it has been so long, and I hope it is not as long till the next time.

Sunday, 14 April 2019

Tring Spring — Reservoir’s Birds

Armed with the EOS R and Sigma Sports 60-600mm lens I head for Tring Reservoirs in anticipation of reasonable light and a plethora of aquatic birds. One thing I have learned is that I can never guarantee what I might find, and this is no exception. I could never have predicted what turned out to be the classic images of one rare bird I only caught sight of due to another visitor to the lake who mentioned it was out on the lake. I turned around, and there it was; he also mentioned that the day before its partner had been alongside, but he reckoned it was probably back at the nest.
I had chosen the lightest tripod, a carbon fibre one on this occasion so, but with the wrong head, thus on many times during the day, I took to using it as a monopod to give me the freedom of movement. This day was also one of those in which I had turned off the preview of the mirrorless body, to give me an uninterrupted view whilst shooting, as mentioned by Canon's Frankie Jim, and slowly I am gaining in confidence with this body, but there are some aspects I still have to master as I still do not have the fluidity I had with DSLRs. However, I cannot complain about the image quality, it is truly excellent; really helped by many more pixels.
My time spent at the reservoirs on this day just missed some rain at the end, but the angry Coot and the beautiful colours of the Mandarin Duck were the highlights of this trip to the lakes, making it all worthwhile.
The most telling time with this camera body will be when shooting sports such as windsurfers, powerboats and cars at Goodwood, if I am lucky enough to get there this year, and in terms of local opportunities, I need some wind and sun for me to capture those. I am still trying to learn how to get the best out of shooting confidently with the mirrorless body, so the best for that will be some decent winds.