Short Nearby Spring Walk

          It is a difficult time to be out and about with a camera with dull weather prevailing, but I have tried to get out as much as possible, taking the Lumix camera along to capture images that appeal whilst walking in the nearby wood.
          There is a wind, and every so often there are signs of the clouds thinning and brightening; on this occasion as I crossed the road and headed for the path that skirts the fields and follows the course of the stream, I was able to capture the blues, golds and whites of some early Spring flowers in the gardens that front the road out of the village, heading towards the Forest Centre. After the last house, I enter the path that skirts the School and Parish Church, Catkins hang like golden jewels, swaying gently in the light breeze. Some leaves that once were dark blue-green are now fringed in deep red. Others are striped in green and shades of varying, rich red shades. I also spot a cluster of what appear to be Pigeon feathers, suggesting a fight of some sort, and then disappointingly, a thoughtlessly discarded group of empty Vodka bottles!
          Further along the path, I capture the subtle, early stages of fresh buds and leaves before a square concrete column topped with a central golden cluster of lichen and as I leave the cover of the path, in the middle distance a flock of birds searching the field for grubs and seeds.

Marston Moretaine Woods Walk

           Once again, the call from beyond the confines of the house beckons, and the sun has warmed the air and banished any of the possible remnants of frost. In this time of isolation it requires little to tempt me to grab my camera once abluted and breakfasted, and head for the door. Nor is there a need to drive anywhere; I am fortunately blessed with parks and open spaces and I can travel light by selecting the LUMIX camera and my two closeup rings, and head off out..

          Closing my garden gate, I turn left, out towards the main road, and once it is safe to cross it, head off to walk to the edge of the village, where I take the path that skirts the edge of fields with hedgerows either side, and within thirty yards, the camera has found varied colours and shapes of leaves that bear the mixtures of varied Autumn hues from the still remaining greens mixed with elements of the true Season’s bronze and gold. The all important seeds for the coming year are also on show, hanging in anticipation that winds will aid their further dispersal.

          Every so often the sun is momentarily covered by passing clouds, but predominantly the sun is shining and enhancing both the hues and textures that bring joy to artists and photographers. Time passes, and particularly at this time of year the ever-changing angle of the sunlight means our view of the scenes can appear and disappear in instants!

          Luckily for me, there is a bird that shares my joy of these moments and is delighted to let me know and, anyone else within hearing distance, by shrilly sharing these moments by singing its little heart out; an energetic Robin! It even ensured it was able to reach a varied audience by flitting between different vantage points!

Stockwood Discovery Centre, National Wildlife Photography Exhibition

The Wildlife Exhibition offered an ideal opportunity to visit both the Gardens and the Gallery, so I arranged with John Sentinella, and Jan Tysoe to meet up there. It provided the chance to view the stunning work of others in the exhibition area, and the opportunity to take our own photographs of the bounty of new life within the garden at the beginning of Spring this year.

I arrived first, and John who had parked elsewhere joined soon after, with Jan coming in after a spell doing Pilates. I had taken a brief stroll around before their arrival.

We all took a look at the fine work of others, and John later left us after the wander around the Exhibition, Jan and I stayed longer before going around the gardens in the search of subjects that caught our eye. It will be interesting later to see Jan’s images, to see what I might have missed, because she has the advantage of knowing what is likely at this early time of the season. I must also find out what differences she found between a lens I lent her to compare with the one she uses.

On the whole we were lucky with the light and the weather, and later we adjourned to the cafeteria for a hot chocolate to catch up. We parted and I made a call to a fellow photographer, Colin Bowles to see whether I might visit him and his wife, to catch up on their news before heading back up to Marston Moretaine, and it was a good move because from there it proved a really good trip back, rather than up the crowded M1. Altogether, a very productive and enjoyable day.

Foggy Stockwood Discovery Centre

Ex-Stockwood gardener Jan and I met up to take photos in the gardens. She brought along her newly acquired macro lens and I had got a call earlier whilst it was still raining and I was about to set off, and I thought: Despite her desire to get more experience with the lens, she might be calling to say that the meeting was off due to the weather. I had misjudged her – the call was to see whether I might be calling it off due to the conditions. Both of us were willing to take the chance on it improving as it happened, so I started the car, and headed South, but I did choose to to use the country roads! By the time I entered the car Park at the Centre, the rain had stopped leaving just a foggy day, and one small benefit – there would be lots of raindrops on the leaves and flowers, and a soft light retaining more colour. The downside being that invariably we would need higher ISOs and steadier hands as shutter speeds would be marginal. Jan had arrived only minutes before and was just stepping out of her car as I initially came alongside, though realising the cars either side were perilously close, I took another slot with more space.

We both then headed for the entrance where Jan was greeted warmly by the staff, before we then headed into the gardens. At first we simply chatted as we walked around to see what was there that warranted photographing, I took out my camera and Jan then took the opportunity to catch up with a few of her erstwhile colleagues before returning and pointing out some plants of particular interest. That would often mean that we would get engrossed in one area and the other would wander further afield, time would pass and then we would find each other, share our captured images, then Jan would point out something I had not spotted. Members of the public who recognised her would chat and learn she had retired, or other staff members would involve her in conversation, it was obvious she was very fondly remembered and they were happy to see her back as a visitor. Every so often I would help her with some of the settings on the camera, or offer suggestions for framing. It is always a delight in offering guidance to those keen to learn more about improving their picture-taking and Jan has really enjoyed gaining a greater understanding of how to improve upon the pictures she takes, which I find particularly heartwarming.

Jan was very handy from my angle as she knew where to expect the new signs of growth, and headed for those, so I would look to see where she went next and head on over to see what she had found. This meant we found ourselves covering different corners, some I have rarely visited, like the chickens, where she recounted some of their history; we also visited the historical area where she explained how some of the horse paraphernalia on display were not all hung in the same orientation, an error which I found particularly poor on behalf of the Museum Staff, as this area is important educationally and should be displayed without ambiguity as this is a really vital resource which needs to be interpreted accurately, I learned that despite her making the point, no one had corrected these errors; that actually angered me as it devalued the display and history has to be reported accurately for it to be of value. Visual History is more powerful often than verbal or written history, so it is vital that it be seen to be correct. This section of the grounds was too dark to consider the taking of photos handheld, but I did make an attempt in the case of one small animal.

We returned to the gardens and by the exit took advantage of some of the items displayed for sale, before moving to have hot chocolate and Caramel shortcakes and a relaxing chat with my swapping out her card to my camera, so she could view her work on a larger review screen, and also for her to view some of my shots, before we both headed in different directions, having enjoyed our time together capturing the ongoing season in the gardens, one of Luton’s gems. On this occasion it was school holiday time, so was very much alive to the sounds of young children enjoying what discoveries they find; which in some cases was simply to run around in a safe environment!

Stockwood Discovery – the Gardens and Wildlife Exhibition

One of the first semi-professional Digital camera bodies I bought was the Canon EOS 10D, and at around the same time I bought the 70-300mm Macro for it and now it has been lying dormant in a rawer for some time, only coming out when my daughters' children and I go out with a specific intention to spend the time taking photos.

As a result of finding one of the gardeners at the Stockwood Discovery Centre has been inspired by seeing some of the shots of flowers she has tended, she recently expressed her desire to buy a digital camera for herself and take up the hobby. Since she has generously allowed me unprecedented access to the greenhouse over the last few years, when I learned of her intention I let her know that I would let her have the camera body, memory cards, battery and charger, but that she would need to buy a suitable lens herself.

Today I fulfilled that promise, then took a further wander around the Discovery Centre and learning from her that the British Wildlife Photography Winners' Exhibition was on, I also took a quick look at the images taken by numerous very talented photographers that were on show. Two stood out for me, one incredible shot of a dragonfly emerging from its pupa, the other a simply wonderful underwater shot of a Mallard Duck taking a look beneath the surface at a fish swimming by. I reckoned the standard and variety was even better than last year's submissions.

All the shots I took this morning were using the 24-70mm with Macro facility, and it only let me down very slightly when using it at full aperture at 24mm in the exhibition area; the minimal barrel distortion was corrected in Lightroom when in Develop mode and was a mere +5% which means it would be a few seconds work creating a correction preset for when working on architectural images, which was not really what made me purchase this lens, it was for flowers and leaves where such distortion would never present a problem.

Tentative Spring

After our short spell with snow on the ground, a few brighter days have arrived, and with them the first stirrings of Spring. I took the opportunity to see what my camera and I could find, and was pleasantly surprised.

Before coming across nature rising to the call, I noticed that human activity was evident – hedge-laying, so took some record shots of this ancient activity, and subsequently have noticed several other instances of this procedure, and have learnt that techniques vary across the country and are often regionally specific and named after their counties of origin.

I soon came across catkins, buds, crocuses and snowdrops – enough to show a small gallery to mark the awakening of the countryside from Winter.