Welcome

I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

A third-person description follows:
Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

See his broad range of training and creative services, available NOW. Take advantage of them and ensure an unfair advantage over your competitors…


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Showing posts with label available light. Show all posts
Showing posts with label available light. Show all posts

Tuesday, 10 September 2019

The Black Gallery Tring – Evergreen Africa Exhibition

After my most recent trip to Brogborough Lake to photograph windsurfers, I left for home after only the briefest of spells there, because I was heading for Tring to meet up with a fellow photographer, Dr Vanessa Champion who has spent several spells shooting in Africa; the most recent being the subject of an exhibition of her work with Evergreen Africa from her PhotoAid expedition to the Foothills of Mount Elgon.
Vanessa had invited me to the Private Viewing evening due to be opened by David Evans, MBE, but my arrival was horribly delayed, and my entry was embarrassing in the extreme, but as I listened to the end of Paul Votzenlogel’s words, I calmed sufficiently to take out my camera and quietly take some shots of him speaking. Up till that moment I was so disheartened that I had considered leaving the camera in the car because of how late my arrival had been, however, I rallied, and began silently shooting, and once I had some images, my self-flagellation subsided, and calm was restored.
Photography for me is therapeutic, I become absorbed in what it is I am watching, and as my eye spots the interactions of others who may be conversing intently, to either a group or an individual, or are self-absorbed, I try to move to a position where I can best compose the image that tells the story. It is interesting to see how some people use their hands, others use their eyes, or tilt their heads. I often spot interesting non-verbal communication and this evening there were for me some interesting interactions amongst friends, that certainly intrigued me. Perhaps Ness will enlighten me, or perhaps not! I do not use flash at events such as these, as it is far too distracting, such lighting also kills the inherent natural ambiance and character of the venue, yes it is a challenge, but where is the joy if it all comes easily, or the event is overwhelmed with flashes from all corners. Under such an assault it is more akin to a War Zone than an intimate gathering enjoying the atmosphere, the introductory speeches and the later interactive banter amongst friends and new acquaintances.
On all occasions such as this evening, I do not use flash which means that I do not intrude, however the mere fact I have a camera, can sometimes mean that if someone sees the lens is aimed in their direction they stare straight into the lens as if to enquire: “Why me?” Most times I will aim elsewhere, if only momentarily, but twice on this evening I took the shot. Generally, I try not to intrude, I keep my eye open for laughter, and for hand-waiving, finger-pointing, and certainly, Ness never disappoints! I hope that some of those attending will get the chance to see what I captured. I am certainly glad I did bring the camera, it was cathartic for the frustration I felt for the over-long journey and subsequent very late arrival.

I also hope the pictures I have taken will be a reminder of an interesting and enjoyable evening for all those attending this Private Viewing, and perhaps many of those in the following days, when the doors are open to all-comers.

Tuesday, 15 November 2016

Cherry and Ian's 50th Wedding Anniversary




Cherry and Ian celebrated fifty years of married life with their family and friends at the Aegeas Bowl in Southampton at the Robin Smith Room. Getting down there was in pretty miserable weather, but this did not deter the spirits of anyone attending; and, as if in equal celebration, the weather day after was simply glorious.

In many instances the last time I had met many of the guests was only a decade less, but in most cases the years simply melted away as we were able to recall memories from those earlier times.

I met up with Diane and Tony in the lobby of the Holiday Inn who had already introduced herself to Judith and her husband who were now all ensconced and chatting in armchairs just beyond the foyer.
It was not long before Lizzy, Tim, Catherine and Jonah and Holly and Poppy joined us. I was hoping to reeky where we going to be for the celebrations which were to be in the Robin Smith Suite at the Aegeas Bowl within the same complex as our two hotels; the Hilton and Holiday Inn. Since no one was free to join me I made the journey by myself which meant later I led the way for our group in confidence. It did allow me the bonus of getting some night shots of the arena. The result is a series of scene-setting shots prior to the main event.

Once I had met up with Cherry, it was warming to hear that she was very pleased I had come armed with a camera, as she had toyed with the idea of actually asking – maybe she was unaware that my camera is to all intents an extension of my right hand, and finally may have to be surgically removed!

 It was a very joyous occasion with much laughter, reminiscing and storytelling; I found myself expanding on some of the 'Memory' bag snippets to Poppy at the dinner table, but in a couple of instances I needed reminding as recall was not instantaneous – surprise, surprise!

I enjoy taking shots in poor ambient lighting without additional flash so that I preserve the atmosphere that prevails, and also because flashes popping off can be completely disruptive to the moment and to the event, but it can have its pitfalls, so I do have to apologise to a guest at one of the tables due to my failure at the time to have her in the picture – more especially as we had been in conversation during the evening.

I hope that the shots I have taken are a reflection of the proceedings, and on this occasion I hope I have not spoiled the chronology by headlining a few images out of context in order to give a feeling of how much went into the preparations for the evening by Mandy and Jo. They had undoubtedly ensured the success of the wonderful evening.

I took a walk the morning after because although I hardly touched any alcohol, I stayed up late and managed to sleep through my alarm set for 8 o'clock to be woken at five to eleven, and hastily get myself out of the room, whilst Lizzy kindly grabbed me some breakfast. I needed to calm myself and also charge my phone enough to use it both to phone an aunt I had planned to visit and use its SatNav to reach the village where she lived, hence the shots of autumn colours and finally my aunt and her husband.