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I am Rod Wynne-Powell, and this is my way to pass on snippets either of a technical nature, or related to what I am currently doing or hope to be doing in the near future.

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Professional photographer, Lightroom and Photoshop Workflow trainer, Consultant, digital image retoucher, author, and tech-editor for Martin Evening's many 'Photoshop for Photographers' books.

For over twenty years, Rod has had a client list of large and small companies, which reads like the ‘who’s who’ of the imaging, advertising and software industries. He has a background in Commercial/Industrial Photography, was Sales Manager for a leading London-based colour laboratory and has trained many digital photographers on a one-to-one basis, in the UK and Europe.
Still a pre-release tester for Adobe in the US, for Photoshop, he is also very much involved in the taking of a wide range of photographs, as can be seen in the galleries.

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Showing posts with label water lilies. Show all posts
Showing posts with label water lilies. Show all posts

Tuesday, 9 June 2020

Marston Lake Afternoon

 
I drove to nearby Marston Lake, having first ascertained that it was open once again. I parked up at the very first swim, where there was already a parked car, that I believe belonged to the local bailiff, but I could see no sign of anyone nearby, so perhaps he was checking out the various anglers on foot. After a while having taken a look across the lake to see just who was around, I returned to the car, to make my way around further swims to gain some idea of what life there was around the lake. It was very quiet on the lake, with a lone swan close to the far shore, and a few black-headed gulls endlessly working their way around the lake generally a short way offshore for most of the time, would drop to the water presumably in search of fish close to the surface.
I stopped at each swim as I made my way round the road to get differing views of what life there was on the lake, and disappointingly, it was the quietest time I had spent there, perhaps possibly due in part to the cloudy and cool weather; there was minimal birdsong, or calling. Along the way as I travelled between the various swims, I would chat to any anglers I met to question whether they had seen or heard the Woodpecker I had come across at one of my earlier trips to this lake, or had sightings of the Grebe I had come across before I learned of the mink, which gave me cause to wonder whether it was this incident that caused the Grebe to disappear.
l parked the car at the last swim accessible to the car, and took a walk to the last few swims, and finding no one, returned and took out my Sigma Sports lens — initially using it with the attached 2x Converter. With the front two Benbo tripod legs placed in the water,  I set up the camera as low as it would go, so that I could sit on the bank and be as close to level with the eyepiece to shoot. At first  I took some shots of the water lilies, and then the mating water boatmen both walking on water and on the flat lily leaves, bobbing in the wind-rippled water. I watched the gulls as they flew just a few yards from the shore, occasionally swooping down to the water presumably to catch some fish.
As I was at the bank with two of the tripod lengths in the water (a feature made possible using the Benbo tripod) so I could shoot from as low a viewpoint as possible, a Swan I recognised, due to its noticeable swelling to its neck came in close — I judged rightly or wrongly, assuming I might offer it food, but I verbalised my apologies in case it might bridge the species divide. Capturing this varied subject matter, especially the panning shots of the gull on the wing, provided me with the opportunity to continue to hone my skills with fast-moving and somewhat unpredictable direction changes, and overall I did manage to retain focus much of the time. The only noticeable failure on my part was moving the focus point around the screen; somehow that feature eluded me absolutely, so I shall have to consult the manual to work out how to unlock this currently stubborn resistance to my moving it from the centre of the screen!
This flaw apart, it was good to be using this camera and lens combo once again, but this hiatus has allowed me to get to grips with the Lumix, so the LockDown period has had some side benefits. I am hoping that in future handling, either will not be too daunting a readjustment between both cameras.

Friday, 14 June 2019

Marston Lake Visit — Fleeting Sunshine — Using a Different Head

Having given the car a long drive to ensure the new battery was fully charged, and with the first rays of sunshine for several days, I gathered a slightly different set items to use on this visit to the nearby lake. I had bought a long lens Acratech head and levelling plate in place of the gimbal to see how it would perform. I knew that I would have to be careful to always lock its movement, when letting go of my hold, but I am trying to keep the weight of my kit down, and this was the latest trial I was making.
I certainly found that it was smooth in operation, and it was easy enough to lock it before removing my grip on the camera and lens, and loosen it when back to using it again, but clouds rolling in to cover the sun would immediately ground all my flying subjects, so I did spend quite a lot of time locking and unlocking! My subjects needed the sun for energy so this was inevitable, but it did mean I was gaining the experience of locking and unlocking!

Because I was once again using the Sigma 60-600mm with the 1.4 Converter, I was also stopping down further to keep a good depth of field, which did mean that I, like my subjects needed the sunshine. On this occasion, I also got some shots of a few Water Boatmen as they nipped around on the surface. Altogether, it was a useful exercise for me, with a few shots of interest, and useful experience.

Friday, 7 June 2019

Marston Lake Visit — Lily Pad Insect Life

Flying insects such as Damselflies and Dragonflies have the power to intrigue, when you stop to watch their behaviour, the warmth of the sun gives them the power to stay on the wing for some time, and when that empowering sun is removed by the coverage of clouds, it is a signal for Flight Control to say: “Land as soon as possible, and head for cover!” For those insects still flying or landing the sad thing is that even though they might be interesting or rare, that sunlight they shun makes it harder to capture them photographically, and yesterday intermittent cloud cover was abundant, as were the denizens of the lily pads that were the backdrop when the light was good, but invariably the floating pads lost their attraction both to the flying insects and myself!
I persevered, hoping that I might capture either species in flight, and whereas the the damselflies would hover long enough for me to obtain focus, not so the dragonflies! They had far more energy, and were able to sap mine attempting to keep them in frame, or frame them in the first instance. I was hoping there might be some degree of repetitive behaviour, but their only repetitive behaviour was to fly erratically, and at high speed!
It did not stop me from trying, and ‘trying’ was definitely a good description of how I described the frustration! I spotted a behaviour that I found slightly disturbing; one pair of coupled damselflies either accidentally or deliberately seemed to drown his female partner whilst they were on a closed lily bud — their combined weight slowly pushed her beneath the surface, but he made no attempt to select a new spot above the water. I did not see the end result, but he seemed to make no attempt to rise higher for at least three minutes that I observed.

I have no doubt that as more buds open, I will pay another visit to this spot, and hope that I might capture shots of dragonflies on the wing. Ironically, the very first outing with my 300mm prime lens, I was close by an island of reeds, and could wait, as it flew circuits around it, for it to come back into view, and click. But here, there was no such opportunity, so all my dragonfly images are static (within reason — as there was quite a breeze, meaning the reeds were often swaying — the one they were on, or others where the reeds between them and myself would obscure them).