Marston Lake Woods – Signs of Spring

I decided to take a look at Marston Lake in case there was some avian activity on the water, but all I saw were a few Coot and and a couple of Cormorant, but no sign of the Grebe pair I had seen on my last visit, and even those birds I saw were distant. The walk through the woods to the lakeside which last time had daffodils in bloom, now displayed withered flower heads atop their stems looking very sad. However, the new leaves on some trees were fresh and healthy, and despite the lack of sunshine were welcoming.

Presumably the lack of sunshine meant the few ladybirds I saw were lethargic and I may be mistaken but where hawthorn are in abundance, I rarely find much birdsong, and certainly on this afternoon, the only sounds were those of cars, bikes and vans passing along the lane beyond. My walk through the woods could not be described as silent, as with every step I was breaking branches noisily underfoot, so no chance of creeping closer to an unsuspecting bird unless it was deaf!

The early leaves of the Horse Chestnut were a luscious green, hanging as if wet before they gain strength and flatten out. Many of the trees I walked past were heavily covered with what I took to be forms of lichen, and where branches had broken and the wound healed they would often seem like eyes, and with imagination you could see faces, hence why I chose to capture these. On this occasion I did not take any shots of the numerous holes I spotted that I presumed were badger setts, because none looked in any attractive as some I have seen on occasion. There was a single clump of Primula which caught my eye as there were two twigs whose juxtaposition made the whole seem like a drawing of a tree, hence why I took that shot, and I promise I never moved anything; I simply took the shot from the angle that gave me the impression.

Undoubtedly sunshine would have improved the scene, but the purpose of my visit was to take advantage of the lower angles the EOS R offered due to having the flip screen, and to familiarise myself to the new way of working with a mirrorless camera, and every shot was taken with the one lens the 24-70mm with macro facility, and the flip-out screen allowed me use a low angle viewpoint.
I have an apology to make – I slipped up with this gallery earlier, and it failed to appear – IT DOES NOW – Sorry!

A Climb to Millbrook Church

As many who know me will realise, I rarely travel without a camera, and on those occasions, I will have made a conscious decision not to be taking photos, or my family will have made that decision for me! Yes, I do have a phone  that Sports a camera, but for me that is not a serious option. For several years my choice has been a single lens reflex, and although I started as a Nikon devotee, there came a point where I opted to jump from film to digital, and at that juncture Canon offered a better quality than Nikon, so I jumped ship. 

Both camera makers spent the early digital years, swapping the lead in terms of quality or ease of use, but as I simply had to wait a short while when Canon was behind before the next model made a jump, I stayed loyal. This was as much due to my investment and the prohibitive financial cost of making such a jump. Both systems are very equal, and there are subtle handling differences which would mean at critical moments I could fail to capture a shot.

Recently, as I made the switch to a mirrorless body, I fell into just such a situation. I had my recently acquired EOS R and Sigma Sports 60-600mm crash to the ground, and whilst both were being repaired, I went back to my DSLRs, only to find I had lost the fluidity in the handling, that used to be second nature! The differences are only slight, but my brain is less agile than it was when I made the jump to digital all those years back!

I made a trip to my accountant today, and on the return trip, I parked the car in the village of Millbrook, and grabbing the camera I took a steep path up to the top to see what the views might be, and whatever else might be of interest. It was only when I reached the summit and saw the view, that I realised I had actually been to this same spot before, but on that occasion, I had started from the opposite side of the same hill! It had not been a wasted journey, but it was one of those forehead-slapping moments!

The end result is a single page gallery of what caught my eye, and certainly gave me a quality that justified my purchase, and its flip screen made all the difference to the ease with which I was able to get the low angles of some of the shots, and also the landscapes, due to the lack of shutter vibration, coupled with the larger pixel count inherent in the file size increase over my 5D MkIII, had I taken the same shots with the latter.

It was a useful opportunity to become more familiar with the EOS R for when I need to work swiftly and intuitively in the future.

Harrold-Odell Country Park Birds

 

I now had the EOS R mirrorless camera and Sigma Sports 60-600mm lens back, and was keen to set everything up again, and also having learned from Canon how to shoot sequences with breaks in shooting, without the interruption of the saved files in the viewfinder until I needed to review the captured images. I did not find it as fluid as when using a conventional DSLR, but with practice I believe I will manage to master it. When you learn how to set this up, it is straightforward, but I had to find the setting by asking my Canon Guru!

Now if I need to review the image I click Preview rather than have to wait as the sequence is displayed in the viewfinder, when what I was trying to do was continue shooting once an action continued. Thus far it is not as fluid as my earlier experience with a mirror flipping, but I am hoping I will master it with more practice. One piece of advice offered was to slow the frame rate, but that would seem counter-intuitive, but I will explore all this as every opportunity arrives. What I have already found is that the quality of the captured images exceeds that of the earlier lenses due to the reduced camera shutter vibration and the larger inherent file size; in other words the image quality exceeds what I previously achieved. Another factor also comes into play in low light levels; the image brightness improves both the cameras ability and mine to focus accurately.

The adapter to use my existing investment in lenses is yet another benefit of the move to a mirrorless body, but it has been a steep learning curve, and as yet I do not have the fluidity I experienced with my earlier bodies (and my brain is older, and less tractable!) My own body has a similar issue with my wonderfully stable Benbo tripod, whose weight is a severe issue when travelling on foot for any distance!

On this trip the only bird that was in any way special was a lone Grebe, but the trip was mainly an exercise to gain confidence in the mirrorless body and the Sigma 60-600mm lens, which I fulfilled albeit not spotting the incorrect setting of colour temperature, which fortunately I was able to sort in ‘post’! I still have further settings to reinstate, but for anyone considering the change to the EOS R, fear not.

Marston Moretaine Church – Environs' Bird Life

I have been in pain due to inflamed bowels for several days, and now the medications are finally having some effect, and the lack of exercise gave me cause for concern — sunshine came to my rescue, and made it possible for me to give my bowels some gentle massage whilst being distracted by the onset of Spring around me as I concentrated on capturing some of the boundless beauty that was a mere short, gentle walk by the local semi-detached church — the tower and chancel are separate entities, with a story of an annoyed God punishing the Villagers by parting the two asunder!

The one thing of extra note is that Capability Brown definitely did Not design the surrounding environment, perhaps the angry God decided the church should be hidden from casual view, by enclosing it from most angles of view beyond, with trees and bushes. This is sad, since the architecture is quite appealing, though entrances deemed in need of being sealed do not appear to have been given much love, looking very utilitarian. l have therefore made a conscious effort to take the viewer’s eye away by choosing an angle that leaves the original arch visible, but the blank wall is obscured by a bush to spare the blushes of the diocese.

I have tried to find angles that show Nature giving us a glimpse of what the coming season offers, and details that caught my eye as I gave my body a gentle work out. I used a lens that gave a general view in my initial walk, then returned later with a longer lens that allowed me to isolate  a view of what I found of interest, and get something to drink to keep me hydrated and allow my body to recover.

By pure chance I spotted the courtship of a pair of pigeons, and the longer lens on the second trip was fortuitous. Since my walk was solitary, the camera provides both company and the chance to capture the scenes I find and share them to a wider audience whilst keeping my eyes attuned to the differing challenges in capturing the colours, atmosphere and happenings around me.

Whilst I was beyond the trees, on the early trip I was surprised to see an egret fly overhead, heading South South East between two other lakes to the south, and this was what had prompted me to come out for the second excursion with the long lens. I also spotted a flock of doves that circled the buttressed tower of the church before landing. This narrative is more than a day late, since I went to Elstree to collect my repaired EOS R from Canon, and  yesterday saw the return of my Sigma 60-600mm lens so therefore I had been delayed in completing the processing of  the shots taken from both trips as I wrote this. I will now let the pictures tell their own story.

Marston Lake – Offchance Visit

It was possible there might be some breaks in the cloud cover, so I took a chance to see whether there might be some avian activity on the small fishing lake that is a short drive from home. Once I was lakeside, I spotted some distant evidence of anglers, but no one actually fishing, but there was a pair of crested Grebe in the middle of the lake, and they were heading towards the bottom area of the lake towards the enclosed area. I therefore took my Benbo tripod-mounted camera down the right hand path to the last swim on this side of the lake. Sadly they did seem to be heading further away, which was a shame as I had not taken along my 1.4x Converter.

Although initially the pair had distanced themselves from me, but by the time I was ready to shoot they had come slightly closer, and I had been watching the territorial dispute behaviour of Gulls on some of the branches of submerged trees by the extensive reed beds to my left.

Once the Grebe pair had seemed to begin their ritual courtship dance, I began to hope this might develop, but although the early signs looked hopeful, the interaction lacked precision timing and it seemed as if this was one dance that did not gell. Perhaps, it was not yet warm enough, or simply a trial run. I went back to concentrating on the Gull activity, and the immaculately groomed male Mallard ducks as they sailed with their less colourful partners. I also recorded the last Autumn colours in the hedgerows and the fresh Spring blossom just appearing on some of the branches.

The brief spell at this lake was still fruitful whilst I await the repair of the EOS R and damaged personal Sigma 60-600mm lens, whose return is hopefully less than a fortnight away.

Briefest Brogborough Visit with Biting Wind

          I was thinking that with a stiff breeze, there might be a chance of some activity on the nearby lake, but upon arriving at the Car Park for Brogborough’s windsurfing and paddleboarder afficianados; I found there were few takers.

          It was a bitterly cold late morning, with an added bonus of a biting wind, perhaps the cold was enough to deter all but the hardiest of windsurfing sailors from venturing out on the lake. Only when the winds don’t blow do the paddle boarders take to the water. However, on this occasion the low temperature was enough to deter all but the most determined, unless some were hidden from view the total was a mere half dozen.

          Sam Barnes who runs the show reckoned the cold would not draw too many on this occasion, and it was a while before the number, rigged and on the water, rose to three, which meant it was worth my while to put the camera onto the Benbo tripod and set up on the shore or the jetty to get shots of any action that caught my eye.

          I cannot promise that what I captured was earth shatteringly exciting, but before leaving I did take a few shots of the Benbo with it as Hero, because last weekend I learned that the Distributors, Paterson would very much like to see shots of the Benbo in action.

          I moved it around the shoreline with the lake and windsurfers as background in a small gallery to say thank you for their very useful, and firm tripod. It takes to water well, since the lower leg sections are closed at the bottom, so can be immersed in more than a foot in water with impunity.

          Click this link to view the Benbo tripod I used for these shots with the 5D MkIII and Sigma Sports 60-600mm

http://www.fntn.co.uk/rodwp/BenboTerritory

Aylesbury Mayor’s Concert – Concert Band at St. Mary's Church

Although the need for a ‘Roadie’ for my daughter is hardly necessary now she is no longer playing Baritone Sax, I still enjoy the excuse of her Concerts to meet up and keep my hand in (read shutter finger!) covering her concerts — I enjoy the music, the company, and it gives me the chance to keep in touch with her and the children, on a reasonably frequent basis.

I travelled over to her house with my camera and lenses, and on this occasion we went to the venue in her car, as my longer wheelbase might have proven a tad tighter when taking the spiral in the Car Park she intended using, so on this occasion it was I who was the passenger. We made our way through the shoppers and arrived moderately early and though we arrived at the familiar church, both of us found that with the layout being reversed relative to the last time we visited it was unsettling. However, the shock over, it seemed a far better orientation. Another bonus was our visit was in daylight, and the sun was shining brightly, and the church was surprisingly warm too!

On the last occasion, not only was it dark, but I found it necessary to use a monopod for stability, on this occasion, I was able to use even my long lens handheld, and without resorting to high ISOs and the attendant noise. Nevertheless, I spent the freedom of movement that the rehearsal offered to capture as much of the informality to record the life of the Band’s natural interaction, and record some of the Band’s members who are normally less featured through being hidden behind the front rows, such as the percussion section, and the lone guitarist.

This church offers no high viewpoint, which could offer the chance of  capturing some of the less visible musicians, but rehearsal gives me the freedom to make amends, and since my shoes were clean and dry, I took the opportunity to gain some height by standing on a chair every so often. The Mayor arrived early and immediately busied himself shifting chairs into an ordered layout that put the front rows a tad further back, which meant the Band had space and the audience’s ears stood a chance of a reduced volume of sound to improve their appreciation of the music. The opportunity of  projecting a hardworking Mayor offering a helping hand was too good a chance to miss!

The beauty of taking photos at the rehearsal is in the capture of some of the lighter moments, as well as the chance of differing viewpoints, and although I am sometimes close to the action I am careful to keep a respectful distance and tread carefully, and silently. However it does mean that outer garments and various bags do make their presence apparent, and often the less formal dress does mean the images tend to be less useful from a Publicity standpoint, but they do provide a record of the fun and enjoyment of the participants. On a previous occasion, I separated the Rehearsal and Concert images, but on this occasion, I have provided one complete entity, and I hope this gives the true flavour of the event. One last point; Carl Quaif and Marie Biswell, who compèred and signed from the distant platform are seen in the gallery far better than could be seen by the audience, by my using a long lens to drag them closer. I hope this means that the blog audience can put a face to each of these two distant figures and a disembodied voice.

Stockwood Discovery Centre, National Wildlife Photography Exhibition

The Wildlife Exhibition offered an ideal opportunity to visit both the Gardens and the Gallery, so I arranged with John Sentinella, and Jan Tysoe to meet up there. It provided the chance to view the stunning work of others in the exhibition area, and the opportunity to take our own photographs of the bounty of new life within the garden at the beginning of Spring this year.

I arrived first, and John who had parked elsewhere joined soon after, with Jan coming in after a spell doing Pilates. I had taken a brief stroll around before their arrival.

We all took a look at the fine work of others, and John later left us after the wander around the Exhibition, Jan and I stayed longer before going around the gardens in the search of subjects that caught our eye. It will be interesting later to see Jan’s images, to see what I might have missed, because she has the advantage of knowing what is likely at this early time of the season. I must also find out what differences she found between a lens I lent her to compare with the one she uses.

On the whole we were lucky with the light and the weather, and later we adjourned to the cafeteria for a hot chocolate to catch up. We parted and I made a call to a fellow photographer, Colin Bowles to see whether I might visit him and his wife, to catch up on their news before heading back up to Marston Moretaine, and it was a good move because from there it proved a really good trip back, rather than up the crowded M1. Altogether, a very productive and enjoyable day.

Interesting Multi-Purpose Vehicle - Right Outside!

At the junction of Squires Road and Station Road, Marston Moretaine is a rectangular flower box on the left as one enters, and on the other a fire hydrant; this morning a large multi-purpose vehicle pulled up close by the latter. Since in an earlier life I had worked at a Photographers in Weybridge who had one very frequent user of our services for photographing their various body conversions to standard chassis, the sight of this vehicle  seemed to be calling me to bring out a camera and take some photos. That company from my earliest days in commercial photography was Hawson Garner. 

We would drive to the client and follow in our own vehicle, or be collected from our studios in Weybridge High Street, in the vehicle to be photographed, either way we would  be given a brief for the shots needed, if there were more specific details to be highlighted we might meet up with the client or take the brief from their driver, the most frequented site for the pictures was at a spot by the banks of the Thames. I just tried seeing whether using Google Earth I could find the spot after all these years — I failed! Perhaps after the length of time that has passed perhaps I should not be too disheartened!

Back to the present; I just felt that as the sun was shining, despite being from the wrong direction,  I just had to get out there and get some shots. I did wonder how many shots I might get before the man had finished his task, and helpfully the Stop cock attachment was the wrong size which forced a delay before one of his colleagues came by with the correct-sized key, giving me a few extra minutes. Eighty shots was not too shameful in the time.

Back in the day, I was shooting those shots on 5x4 sheet film with a Sinar, and on a tripod — these images are in full colour and have been tweaked, and available the same day, whereas I would be in the darkroom to unload the slides, heat the tanks to 70 degrees Fahrenheit, clip them in frames and stay by them in the dark for the Development time which was around eleven minutes raising and lowering the frame each minute, before transferring them via quick rinse into the Fixer for another ten minutes, they then had 30 minutes wash and twenty or so minutes in the Dryer —  that only got us to the Negative! The printing of the half- dozen or so shots would take probably another hour or two to get exposed, developed, and printed also in the dark before being washed and generally glazed on a heated stainless steel drum. With other work going through in the same time frame our regular turnaround would be three days, though obviously if needed more quickly this could be reduced, though not the price! Rush fees were the way to allow us the time to work efficiently rather than in mad bursts!

Today’s images taken in the morning, reach the blog in the same day and they possess both quantity and quality. And I am not even being paid for these!

Marston Lake Bird Activity

          The sun was out and it was warm for late January, so a short drive to the nearby Marston Lake seemed like a good idea, since with no wind, the other lake at Brogborough would not be likely to be hosting windsurfers (the clue is in the name!) and Stewartby mainly hosts powerboats and sailing dinghies, and those two exponents tend to be weekend activities or require a wind.

          On this visit the Camera was the 7D MkII, the lens was the Sigma Sports 60-600mm augmented with the 1.4x Converter, since the birdlife on this lake tend to keep their distance.

          On my last visit I had spotted a lone young Grebe, but on this afternoon, there did appear to be a pair, and later there was a tentative exploratory dalliance,  but it petered out without the ritual offering of weeds. Unlike previous visits where I only spotted two Cormorants, there were at least half a dozen and some did take to the air to search for their prey, but the seemingly choice spot were two clusters of dead trees that seemed to warrant a territorial dispute, but the occasion I witnessed, the two established birds hung on and the attack failed.

          As ever, every so often the Coots would become bellicose and there would be some noisy flapping as one bird would launch an attack on another. From my observations Coots seem bad-tempered fairly frequently, often continuing for several bouts, but on this occasion, this petered out fairly speedily. A pair of Swans glid serenely across the lake fairly aimlessly, and unlike the last visit here, there were fewer gulls, and one Tufted Duck seemed to consider one gull to be on its patch, and made a menacing torpedo-like dart at one, but the gull simply took to the air before settling back on the water, comparatively unfazed.

          Alongside a pair of Tufties a single bird of a different species of duck had attached itself, and it was not simply a female of the species, I took an enlarged image, that I plan to send to my Birding Guru to learn just what bird it is, but if anyone else knows please let me know below in Comments.

          The visit was a pleasant way to relax, and get the feel of the lake, and already I have noted the signs of Spring appearing, though listening to the forecasts, this may be premature, since there are still warnings of snow.

Brands Hatch with the Jaguar Enthusiasts Club

No, I have not suddenly come into money, and become the owner of a Jaguar — I do have a friend though who does own such a vehicle and we met up and travelled down from Bedfordshire to attend a meeting of what amounted to a rescheduled event from last year. 

The day had begun in fairly thick fog and upon our arrival the sun was beginning to win the battle to burn off the mist bringing a glow behind Druids Hairpin that was being reflected in the windows of the hospitality suites between the Main Grandstand and Paddock Bend. The effect was beginning to fade by the time I had put the camera and lens on the tripod and captured the scene.

The portends for a good day at the circuit were gathering apace, and I took the opportunity to grab a few images of a largely empty rear area behind the garages that line the Pits. I used to be Assistant Chief Pits here for the BRSCC for some thirty years, and this the second reincarnation since I left, but the circuit still holds a place in my heart and still retains much of the character I remember, since when I first came the circuit was close to a third the present length.

The circuit in use on this day is affectionately referred to as the Club Circuit and means that spectators in almost any position can see the cars, bikes or trucks for a major part of the circuit. I have fond memories of my times here spent in all weathers from biting winds and snow to heavy rain, and unrelenting heat, and even night racing!

The numbers attending gradually rose, but perhaps because of the previous cancellation and the time of year, the attendance was not as large as I had experienced with John when he invited me to the Castle Combe event. Before anyone went out on the circuit there were preliminaries to go through to explain the procedures, and the rules of behaviour when out on the circuit. After that and with wrist bands attached that indicated who were driving, and who were considering being passengers and that they had listened to the rules outlined in the briefing, the audience members filed out to the Pits Paddock area downstairs.

By now a few more vehicles and people had arrived and I had taken a few shots that covered  some of the attendees and vehicles and I was watching the activity around one of the Swallows Jaguar Team as they were having some difficulty removing their car from the transporting ramps, and I could see that they could do with some additional weight in bodies to make it possible for the car to have clearance enough to move freely to the ground. I then made what turned out to be a fateful decision and splayed the tripod legs and put the tripod on the ground; I had thought it was balanced correctly, but as I turned to offer my help, I heard the heart-wrenching sound of my camera, lens and tripod crashing to the tarmac, then  saw that the lens had separated from camera body and tripod, and both lay a few feet apart! I realised that that decision to consider offering my assistance had brought this calamity upon myself and I was near to tears. I picked everything up and was in shock as I realised my day was ended before really having begun. I walked away unable to concentrate on anything but the terrible loss, and dwelling on the consequences. I cannot be sure of what happened for probably ten minutes as I was locked inside my own world… then one of the Swallows Team came up to me and despite just having witnessed the accident to my own equipment, had brought along his Nikon camera equipped with a long zoom lens and offered it to me! That was kindness of a different order! I was absolutely amazed that without a word he had gone away and brought along his camera and offered it to me, a complete stranger! It was truly humbling, and suddenly amidst all my gloom suddenly he had brought a gift beyond words. I cannot remember a time when such a gesture of human kindness has been bestowed upon me. It still brings tears to my eyes as I write this piece, days from when it occurred. I doubt I will ever forget the occasion, and later, the chance to be driven round the circuit for numerous laps, most of which we were the only ones on track.

During those laps, I became very aware that the driver was inching deeper into the apex of Bottom Bend to gain a greater benefit upon exit, and at the end my thoughts were that the driver really enjoyed that drive, and literally before I could voice that statement he made the declaration himself! I then mentioned my observation and it appears that he feels trepidation in that corner as a close friend had crashed badly there. I felt my observation was keenly understood, and I said that if he ever needs human ballast to continue exploring the boundary for that corner I would be more than happy to supply my reassurance.

During the day John Sentinella my generous host and I met several really interesting people, one of who remembered me from my time as a Marshal as he was once a Course Marshal and he also knew brother Ian during the time he was racing and worked for the club.

I will cherish both the drive and the selfless generosity I received that afternoon at a moment when I had the heartache of losing my latest lens and camera in the first days of ownership. The delay in getting this narrative and accompanying gallery is due to the consequences of the accident that befell my photographic kit on the day. All this week has been spent sorting out the repair and insurance and the travelling involved taking the lens to Sigma and the camera and adapter to Canon. All this during a record amount of sunshine for a February!

Brogborough Windsurfers – EOS R, 60-600mm Lens + 1.4x

For those windsurfers hoping to see what I had managed to capture, I apologise for the delay, but other priorities occurred, and also I learned a hard lesson, bigger files, especially without a fully compliant profile with which to process them, also adds to the delay. The files are now over twice the size, so when you also add into the mix that I have yet to be able to understand just the best way to process the subsequent files, it has taken me way longer to prepare the gallery.

In the recent past, I have used the smaller-chipped 7D MkII to both gain the extra throw of the lens, and to maintain a high burst rate when shooting the Brogborough windsurfers and the Stewartby powerboats. On this occasion, I was using the full-frame EOS R, and to give me extra focal length using the new much longer range of the 60-600mm Sigma Sports lens, I added the 1.4x Converter. It had the effect of making the 600mm become 840mm and in place of 60mm that was now increased to 84mm; which was not too bad a loss when the windsurfers came close – compared to the closest focus of my previous 150-600mm used alone which meant if my subjects came close the cropping was obvious. On this afternoon I had little difficulty keeping the whole sail in frame when I was approached closely, yet equally able to get a good size when they were a good distance away!

I still have to find an effective solution to placing the cursor where I need it for both autofocus and exposure, so that I can vary the focal length to achieve effective framing and composition. Getting the ring that provides in my instance the means by which I can make quick changes to exposure compensation was essential to give me the level of control I need to work efficiently and speedily.

I apologise to those who feel there were too many shots of Sam and the hydrofoil board, but I was trying to see whether he might complete a successful gybe aloft, and I was impressed he was getting close; I think it was as much due to the fickle wind conditions. I was pleased to have captured some shots of multiple sailors spanning the width of my frame, especially as now the quality details of the individuals in such frames is so much better. I did not stay as along as I might have, because I knew I had little available time to get this gallery up, and now it is late Tuesday as I write this narrative to get the gallery up tonight. I hope it was worth the wait.

Marsworth Reservoir with Sigma 60-600 Sports on EOS R Body

The title should really include another important piece of information — I also added the Sigma 1.4 Converter, and was amazed by how well this combination worked. So that readers of this piece can fully understand just how well this combo performed I have taken a shot from the same standpoint at the wide angle end of the lens’ range to give an indication of where I was when taking the subsequent pictures. Frame 3 shows the exact view from my position when the lens was at its shortest focal length, albeit still with the 1.4 Converter still attached! So you can see how impressive the images are; immediately below the distant view at frame 9, is an enlargement from the previous picture, showing just how much detail there is, and I was amazed! So, all praise to Canon and Sigma, for the sensor in the EOS R, and Sigma for both this excellent range telephoto and their 1.4 Extender — it makes me wonder how the 2x Converter would fare on this body? Perhaps Sigma might loan me a 2x to check it out.

At this point I shall digress; I drove down to Sigma to borrow this lens due to a really frustrating situation that was brought about by the carriers, UPS who managed for no less than the second occasion to fail to read the postcode on my package beyond the first three characters, and dropped my package into the Amazon Depot which due to Amazon’s high-handed arrogance, only acknowledges the Entire Delivery, and any package not due to Amazon, simply place it in a cage for when the carrier next collects, and does not reflect this in the tracking, so the tracking at this point reads ‘Delivered’. It is only subsequently revived once the original Courier has returned it to their Depot. This is a gross failure on Amazon and UPS’ Duty of Care, and should be utterly condemned. It completely undermines the Tracking System and since the fact that this has occurred twice to me personally, it must be only the tip of an Iceberg, and has but one result that packages lost completely are untraceable, and claims on Insurance simply compounds the losses, and increases everyone’s prices for Deliveries. This must be tackled at Government level. If anyone reading this piece has had similar issues of packages being delivered to Amazon and suffered delivery delays please tackle your MP, so we can prevent this from escalating.

Back to the narrative; I had been concerned that perhaps the Sigma Sports 60-600mm  lens might fail to focus when on this mirrorless body, but though on occasion I did have to  occasionally twist the focus ring to initiate autofocus,  I believe I may be able to use the Custom Presets on the lens to obviate that. I shall be enquiring of Sigma on that after the weekend. 

One observation I have made in relation to the EOS R is that it is rather easy to have wide range subject exposures suffer from irretrievable highlights, but whether this is due to Adobe not yet having an EOS R-specific profile. I am relying currently on a previous, but seemingly otherwise workable profile. If I have subjects with bright whites, I am taking a similar approach to how I handled transparencies in the days of film, and choosing to under-expose in such circumstances. The dynamic range of sunlit swans is such an example, it is definitely better to under-expose and then lift the shadows ‘in Post’.

I wonder how long before My lens arrives having gone ‘Up the Suwannee’ — the shoe on the lens though a little longer than some is not as long as the separate full length one which I had for the earlier 150-600mm lens, as I was loathe to put mine on this loan lens, so I await the return of the one due to arrive when UPS get it back onto its route to me.

The 60-600mm lens may be heavy, but using one lens and one body for sports and wildlife is a boon, and with the marginally lighter mirrorless full-frame body giving such image quality has certainly been worthwhile, but there is a learning curve, and  I still have a way to go to reach the ease of use to which I had become accustomed with the 5D MkIII and 7D MkII…

Brogborough — a Few Heroic Windsurfers!

Is it a surprise that Brogborough Lake was not inundated with sailors taking advantage of the wind? Hardly. Despite a reasonable degree of sunshine, the wind that blew was bitter, and on my arrival only one sail was to be seen on the water. However, as I put my tripod up, and added the gimbal head, the numbers increased one hundred percent! On this occasion my longest practical lens was the Canon 100-400mm, augmented by the Sigma 1.4 Converter. This combo brought about due to my wait for the 60-600 Sigma Sports, due I am assured this coming week.

I was not daunted by this prospect, as  I have checked out this pairing in the last few days, and it proves reasonably workable. Overall, I was reasonably satisfied, but I did face one issue that meant I did miss some shots; the reason being that it was all too easy to find my focus point being taken way off, unintentionally. I shall have to work out a better way to keep my focus point static until I decide I wish to relocate it. So, there is further work needed for me to feel confident in the procedures I adopt when using this EOS R body.

On at least three occasions I missed some of the action, in part because the last burst was being processed, and this frame was now in the viewfinder because of my having lifted my finger from the shutter release. I am unsure how to remedy this at this time — more burrowing in the PDF Instructions!

Later this week, I should be taking delivery of a lens that will avoid any converters, the Sigma Sports 60-600mm lens,  I parted with my 150-600mm Sigma Sports in order to obtain and fund the purchase of the longer range lens. l hope that it will allow me to use this one far more at events like Goodwood for motor racing, Stewartby for powerboats, taking shots of wildlife such as kingfishers, and this location for windsurfing. On this afternoon I was able to capture swans and cormorants, though due to the focussing issue I encountered on this occasion, I failed to record a grey wagtail that hopped around the foreshore at one stage. I was pleasantly surprised by what I managed at this afternoon’s visit with the MkI Canon 100-400mm lens using the 1.4x Sigma extender. It is noticeable just how much sharper this lens is when used on the EOS R body compared to either the 5D or 7D with the same lens — so I am really looking forward to using the 60-600mm on this body.

Through all the testing of this new mirrorless body, I have had to adopt a very different way of working which has already impacted the handling of my earlier DSLR bodies, which cause me to find them confusing when I return to using them!

Bromham Lake – EOS R Familiarisation

 

 

When I first ordered the Canon EOS R body in addition to the straightforward adapter giving me access to the direct use of my pre-existing lenses, the ring that appealed was the one that gives the user a ring that allows instant access to a feature that otherwise would mean several key presses through menus to make a single change to a needed setting.

The most useful one that I ever need when using my cameras to shoot rapidly changing subjects such as wildlife and sports, is when lighting situations change due either to backgrounds beyond a subject having an adverse effect on my metering, or when my pre-determined settings are rendered suddenly beyond the preset limits — the beauty of this ring is that I can use it to make a compensation for the circumstances, with my finger taking first pressure on the shutter release as I turn the ring, to add or subtract from the measured exposure, then press the shutter further to take the shot. No taking my eye from the viewfinder and menu-diving to make the change.

This trip was the first occasion to put this to use as the ring arrived in the post that day, and I was considering going out to search for new locations despite the overcast sky as it was not raining and it was surprisingly mild. Having had a poor connection with the phone’s SatNav to the car’s speakers I never reached my original destination, but I did spot the sign to one I had visited previously — a small Nature Reserve at Bromham. So I took the long lane to where it’s entrance provided a small parking area. For this venture I took my Canon 100-400mm MkI lens and my Sigma 1.4x Converter in case I needed the extra throw.

I also added the monopod, to give me a steadier shooting platform as well a a support when negotiating slippery banks. It proved its worth in both modes! This year’s weather has been definitely out of kilter, the last week has been unusually mild, and this was apparent as not all the Autumn leaves had been shed, and the catkins were gently sway in the light breeze.

There were a few birds to be seen flitting across the paths as they flew between the meagre cover either side, a sparrow, a robin, and a rook briefly caught my eye, but there was little birdsong to be heard for most of the time I was there. I put out some birdseed in case there was a chance I might get some shots of these birds, but none came to my carefully dispersed piles on tables or tree stumps, so I moved deeper into the woods, taking stock of possible images that might allow me to check out the new camera body further.

The aspect I still found problematic was using the screen to move the cursor around the scene I was viewing through the eyepiece; I found it was often difficult to move to where I wanted it, as either my finger’s proximity to the eyepiece would move the cursor, or when. I lifted my finger, it would jump to follow my finger as it moved away! I think this maybe down to my being a spectacle wearer, and therefore being farther from the eyepiece. I can see myself having to adapt the way I move the cursor! However, when I get it right the sensor does an excellent job of getting my shots sharp, and the extra file size means the graininess of the higher ISOs I often use is greatly reduced, meaning I can get far more from my longer lenses in difficult lighting.

I am waiting upon a new delivery to Sigma of the 60-600mm Sports lens so that I can  see how the lens performs with this body, as it would be a real boon if it really performed well bearing in mind the mentions I have made relating to this full frame sensor. Time, as they say, will tell!